Let us never forget how incredible the concrete CEO, Sarah Fucking Blanch, is. “Fart-Break Hotel” is a homerun for the large strides that it takes with Francine’s character (while reminding us how capable she is when actually given the opportunity), but also for the deliriously silly detour it gets into regarding time travel and the art of concierging (including Hector Elizondo, as himself, in some A+ guest work). Blood Crieth Unto Heaven (Season 8, Episode 10)Īnyone that has ever accused American Dad of not being smart should look no further than the stylistic experiment, “Blood Crieth Unto Heaven.” In a shining example of the sort of ambition that American Dad would cavalierly operate with, this episode is structured as a missing manuscript from a renowned playwright. The memory montage of Jeff and Hayley moments is sweet in itself, but the episode then shifts into the legendary category for the incredibly choreographed sequence set to Wax Fang’s “The Majestic.” None of this pomp and circumstance is at all necessary here, but the fact that American Dad goes that weird extra mile just for a satisfying visual is exactly why they’re so great. But beyond all of the space madness, the episode also has a shining emotional core to it: Jeff’s love for Hayley. “Lost in Space” is a memorable episode for the simple fact that it’s drowning in aliens and we get a closer look at the rest of Roger’s kind.
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Well, before (a) Jeff would end up back on Earth, the series would deliver one of their more anomalistic episodes, with the entire endeavor set on an alien spaceship and focused on Jeff. Hayley would experience a lengthy separation from her spouse leaving audiences to wonder if we’d ever be seeing the return of him. The series would play around with serialization to some extent by having Jeff get abducted by Roger’s species. In terms of “big” American Dad episodes, this one is certainly on the Mt.
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This is just a good example of how to have fun with Roger letting loose, while also incorporating a strong stable of absurd visual gags that keep the episode perpetually unpredictable. On top of that, the installment also gets to have too much fun with Roger running amok in Bad Lieutenant mode, rising the ranks from trainee, to cop, to crooked cop before you have time to snort a line of coke. It’s debatable, but I’d argue that “Cops and Roger” has the funniest visual gag to ever come out of American Dad (and I’d go as far as saying that it’s also one of the most surprising, satisfying gags in the history of animated sitcoms) and so for that honor alone this episode deserves mad accolades.
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